Vocal Improvisation
I’ve collaborated multiple times with Liz Glynn on performances that take place within her large-scale installations. For “Archeology of Another Possible Future” at MASS MoCA in 2018, I created vocal improvisations according to several different concepts addressed in the exhibition as described by Liz, which she recorded on analog tape and had pressed to vinyl, playing from a turntable housed in a large pallet pyramid toward the front of the installation. During the run of the show, I also joined her and percussionist Corey Fogel for a five-hour performance that moved through each of the exhibition’s five sections.